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Isolation makes the Blackwood home feel like refuge and prison: Constance stays in the garden, while Merricat returns from the village to the gate, believing she is “safe” only inside. Their withdrawal protects their bond, yet preserves fear, stasis, and happiness cut off from change.
If the outside world is hostile, is withdrawal a wise form of protection or a way of remaining trapped? Merricat insists that “the world is full of terrible people,” yet the house’s locked gates and familiar routines also keep the sisters from change. Does isolation save them, or does it quietly become the life they cannot escape?
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